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Reimagining Waste at D·Origen Espresso Store

grindedbeancafe.com by grindedbeancafe.com
July 19, 2024
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Reimagining Waste at D·Origen Espresso Store
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We discover the sustainable transformation of espresso waste into purposeful artwork at D·Origen Espresso Roasters’ café, situated in Barcelona’s historic Casa Calvet.

BY VASILEIA FANARIOTI
SENIOR ONLINE CORRESPONDENT

Images courtesy of LOWPOLY

Nestled inside the historic Casa Calvet in Barcelona, the D·Origen Espresso Roasters café exemplifies the intersection between environmental duty and progressive design, showcasing the transformative potential of recycled supplies in creating purposeful and aesthetically pleasing areas. Their software of design and know-how seamlessly blends custom with modernity. 

Designed by Gianluca Pugliese and his crew at LOWPOLY, D·Origen represents a visionary strategy to sustainability. The crew has reimagined espresso consumption and waste as integral parts of a sustainable design resolution. The architectural imaginative and prescient of the espresso store attracts inspiration from the fluidity and richness of espresso, and interprets these sensory experiences into tangible types of furnishings that interact all of the senses. 

A wavy-patterned 3-d printed amber colored bar, with a flat top and glass case.
Radiant amber textures illuminate the bespoke counters at D·Origen Espresso.

The Design and Crafting Course of

Creating the bespoke furnishings items for D·Origen concerned a complicated and meticulous design and crafting course of. The crew at LOWPOLY, led by Gianluca, collaborated with famend designer Arturo Tedeschi to convey their imaginative and prescient to life. Using synthetic intelligence and parametric design, they have been capable of translate the sensory expertise of espresso into tangible types that interact the senses past the visible.

The customized furnishings items, together with counters, lamps, and stools, have been crafted utilizing superior 3D printing strategies. Giant-format 3D printers geared up with modified Rev3rd extruders have been used to deal with the high-organic-content materials. This know-how allowed for exact management over the printing course of, guaranteeing that every piece met the mission’s requirements.

To realize the very best degree of precision, industrial robotic arms have been employed within the crafting course of. These arms facilitated the creation of 5 distinctive components that outline the espresso store’s aesthetic, guaranteeing consistency and accuracy in each bit. The result’s a harmonious mix of type and performance. Each component serves a objective and contributes to the general design narrative.

Amber lamps hang from black metal arches along the wall.
Lamps crafted from recycled espresso grounds add a heat glow to the café’s ambiance.

Sustainable Supplies and Strategies

The cornerstone of D·Origen’s design lies in its use of LOWIMPACT materials, developed by LOWPOLY. This materials is a mix of recycled PLA and occasional grounds, making it each biodegradable and petroleum-free. With 98% natural content material, LOWIMPACT goals to supply an eco-friendly different to conventional plastics and artificial supplies.

In accordance with Gianluca, using espresso grounds is especially important: “Espresso is the second most consumed beverage globally, with 110 to 120 million 60-kg baggage consumed yearly, translating to roughly 2.25 billion cups day by day. This consumption generates round 60 million tons of spent espresso grounds (SCG) every year, most of which find yourself in landfills. Initiatives like D·Origen exhibit how SCG could be sustainably repurposed, remodeling waste into progressive supplies for design and development.”

A stool shaped like a coffee bean, flat on top with a rivet in the middle and a bulbous shape.A stool shaped like a coffee bean, flat on top with a rivet in the middle and a bulbous shape.
Stools formed like espresso beans complement the natural design language of D·Origen.

Various densities of espresso grounds create distinctive colour tones and textures within the materials. These variations create pure shades that improve the aesthetic attraction of the furnishings. The amber textures of the LOWIMPACT materials, when backlit, create gentle results that improve the fantastic thing about the counters. 

One of many standout options of the furnishings is its embrace of imperfections and irregularities. Fairly than hiding these traits, the design transforms them into distinctive options that add character and depth to the items. This strategy highlights the pure great thing about the fabric and reinforces the idea of sustainability.

Broader Implications and Future Prospects

The D·Origen café mission is an indication of round design ideas in motion. Through the use of recycled espresso grounds to create 3D-printed furnishings, the mission addresses important environmental points, providing a sustainable different to conventional supplies. This strategy reduces waste and promotes the concept of repurposing and reusing supplies that may in any other case find yourself in landfills.

Michael sits at his desk. He wears a D Origen t-shirt and glasses.Michael sits at his desk. He wears a D Origen t-shirt and glasses.
Michael Uhlig, proprietor of D·Origen Espresso Roasters. Picture courtesy of Michael Uhlig.

“We’re delighted to welcome espresso lovers to our new location at Casa Calvet,“ shared Michael Uhlig, D·Origen’s proprietor. “Our aim is to supply not solely an incredible cup of espresso but additionally an entire expertise. The espresso bars designed by Gianluca and his crew are a testomony to our dedication to innovation and environmental duty.“

Because the world continues to hunt sustainable options, the crew behind the D·Origen café mission encourages us to rethink our strategy to waste and to discover new methods of making magnificence and performance from what we discard. In doing so, it paves the way in which for a extra sustainable and environmentally acutely aware future.

ABOUT THE AUTHOR

Vasileia Fanarioti (she/her) is a senior on-line correspondent for Barista Journal and a contract copywriter and editor with a main give attention to the espresso area of interest. She has additionally been a volunteer copywriter for the I’M NOT A BARISTA NPO, offering content material to assist educate individuals about baristas and their work.

Cover of June + July 2024 issue of Barista Magazine featuring Mikael Jasin of Indonesia.Cover of June + July 2024 issue of Barista Magazine featuring Mikael Jasin of Indonesia.

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